Do you trust the process?

Today I'm delighted to welcome Khristi Adams to my blog. You can find her at https://khristilaurenadams.com/ and she's the author of the Parable of the Brown Girl, which you can find: on Amazon at https://www.amazon.com/Parable-Brown-Girl-Sacred-Lives/dp/1506455689/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1578599274&sr=8-1 or B&N: https://www.barnesandnoble.com/w/parable-of-the-brown-girl-khristi-lauren-adams/1132529558?ean=9781506455686

The book took time to write, and time again to get into the hand of readers. But it comes out this month, so I'd love to know how the author feels about the wait... the process perhaps... and here she is to tell us.



What writing your book taught you: TRUST THE PROCESS

Writing this book has taught me about trusting the process. I’ve heard the phrase “trust the process” a great deal in the past year. I first heard it at a Philadelphia 76ers game when one of the players stepped to the free-throw line and the crowd kept shouting, “trust the process!” I asked my friend what they meant by that phrase. He told me that it had to do with the strategy that the team used in being patient in how they were going to build a successful team. The key to that success was learning to trust the process. As I started writing I thought about that phrase quite often. The process for writing a book can be quite challenging. It’s not only challenging because one needs to find the time to be able to write, but also challenging emotionally and even physically. I wasn’t sure how the book was going to turn out nor was I sure if I would even be able to make it to the end where I felt like I had a successful piece of work. It took months of writing and sending chapters to my editor and getting feedback and then rewriting. That process went on for about a year. Even now I find myself in a place where I have to learn to trust the process of putting the book out in marketing and promoting it. Parable of the Brown Girl was complete in the summer of 2019, but it isn’t until February 2020 that people will be able to purchase the final product. That is a significant time of waiting which means that patience is also a part of the process. I have found myself anxious and wanting to get out ahead of the process but I have been reminded that God has a plan for how this book will unfold and I have to position myself to trust that plan. I’ve learned a lot about myself and I have grown as a person, not just from the content of the book, but the overall process of writing it has taught me a great deal about trusting God in areas of my life where I am waiting for something. I have learned that running a marathon is much more about how you grow during the training for that marathon as much as when you cross the finish line.

I'm guessing research must have been part of the process--the speaker at our writers' group next month will talk about that. But Khristi can tell me right now!

How much research went into your book?


The research for Parable of the Brown Girl started when I didn’t even realize I was going to write the book. In my career I have had the distinct pleasure of mentoring, counseling, and working for and on behalf of black girls. In that there have been quite a few relationships that I have developed with some of these girls that have stuck with me on a deep level. Some of the stories that I wrote about were taken from my memory and the lasting impact that the girls made on my own life. As a result, when I began writing I already had some of those stories in my mind that I was able to translate into text. For other stories, I reached out to some of the girls that I know and we met over coffee/tea or video chat and they shared with me details about their lives. I simply asked a lot of them, “What made you who you are today?” That question proceeded into some deep discussions. Other conversations I had with girls asking them their opinions about various topics or just observing them and listening to their conversation and the things they struggle with and their joys. It was a combination of all of those factors that led to the formation of this book. I also did research from secondary sources that were pertinent to the topic of the lives and experiences of black women and girls. Some of that research included books from scholars in this area like Dr. Monique Morris’ work on the marginalization of black girls or Melissa Harris-Perry’s Sister Citizen. I also looked at Georgetown Law Center on Poverty and Inequality’s study, Girlhood Interrupted: The Erasure of Black Girls' Childhood alongside Columbia Law’s Black Girls Matter: Pushed Out, Overpoliced, and Underprotected. Both of these studies had significant influence on my writing. Once I had all of that research then creating the book was like putting together a piece of art.

Thanks Khristi. I'm planning to read the book soon, and I'm delighted to be able to feature it here. Good luck with the release! And here, with thanks, is an excerpt from chapter 1.

Chapter 1
Parable of the WEAK BROWN GIRL
           
Why would God make me a warrior when I’m really just weak?
—Deborah, age nine

For a nine-year-old girl, Deborah had a very sharp and opinionated mind. She was curious and perceptive, yet also quite innocent. About a week prior to Deborah’s ninth birthday, her mother brought her to see me for counseling. She wanted Deborah to have someone to share her inquisitive thoughts with outside of her family and friends. In the time we’d been seeing one another, Deborah and I talked about many things. She often described school as her “happy place.” One could feel the warmth of her big, bright smile when she talked about her friends and her classes. At school she felt safe, con­trary to what she described as feeling trapped at home. She lived in a small, one-bedroom apartment with her mother and her mother’s boy­friend, who was recently released from jail after two years. Before he returned, Deborah slept in a room with her mother, which she loved because of how close she felt to her mother physically and emotionally.
Now she slept in the living room on their big, dusty, brown couch, which she described as old and worn. The middle dipped low when she lay on the couch and she often awoke with her back aching, but her mother thought Deborah was being dramatic when she complained about it. However, Deborah’s grievances indicated she felt distance between her and her mother and no longer had a sense of security and safety at home. Deborah’s mother was usually tired from working most of the day to support herself, her daughter, and her boyfriend. It had been six months since her mother’s boyfriend had moved in, and Deborah didn’t feel comfortable with him in her home. When she told her mother this, her words fell on deaf ears, just like all her other complaints did. Her mother thought Deborah was jealous but also believed Deborah would adjust to the situation eventually.
Deborah had a black-and white-marbled composition notebook she used as her journal. She didn’t structure her thoughts in a partic­ular way, filling the notebook mostly with pencil-drawn pictures and poems. Knowing these were her private thoughts, I told Deborah she did not have to read them to me. Sometimes, she would bring the journal and have it idly on the desk. Other times, she wanted to read her thoughts from the past week. One day as she read, I glanced into the notebook and saw a picture she’d drawn, but I couldn’t quite make out who or what it was.
“What’s that?” I asked.
Embarrassed, she tried to hide it, but I promised I wouldn’t judge anything she drew or wrote. When she showed me the picture more closely, I was horrified. It was a picture of a girl with a gun to her head and the words “What’s the point? No one cares.” Something inside of me knew Deborah was the little girl. I asked her about the picture and she said it was an old drawing. Upon seeing the concerned look on my face, she tried to reassure me she’d just been having a bad day when she’d drawn it.
We sat in silence for a moment while I tried to gather words. Deborah seemed more concerned with my reaction than the actual drawing, and I sensed she didn’t want me to worry. When I finally found the words, I tried my hardest to impress to her that her life was important and that although things were diffi­cult, people loved and cared for her. I also told her she had a life with purpose just like everyone else and God hadn’t made a mistake when creating her. She paused to think about my words and then desper­ately asked one of the most profound questions I’d ever heard.
“Why did God make me a warrior when I’m really just weak?”
I’d explained to Deborah that we would journey through life’s ques­tions during our time together. I’d warned I wouldn’t always have the answers, but we would do our best to find them. This was a time I had no answer. As our session for that particular day ended, I promised we would revisit her question the next time, which would be the following week. As the intervening days passed, I grappled with her question, unable to get it out of my head. I was also ashamed to admit I had been in that exact theological crisis more times than I could count. Why did God make me a warrior, when I, just like Deborah, was simply a weak human being? Numerous challenging moments in my life have led me to question my abilities. When I would outwardly struggle, people would quote, “He will not let you be tempted beyond your ability” (1 Corinthians 10:13). However, my abilities felt like failures. It was—and still is—hard to admit to feeling this weakness, even though I had been in leadership positions before where I had to portray strength. I realized a nine-year-old could articulate one of life’s important questions in a way that I never could.
Nevertheless, I knew I’d have to tell Deborah something more than typical, “You’re not weak—don’t say that. You’re brave and strong.” Why did we respond with this comforting platitude even though it was not the truth for most of us? Adults especially give these types of fabrications when communicating with children, believing to protect them from painful realities. Was it better to tell a child uncomfortable truths at a young age or to lie so they can maintain unchallenged happiness? In this case, I did not want to lie. I had to tell Deborah the truth, which meant I needed to figure out an appropriate response to her question.
A week later, I went to our next session with the intention to pick up where we left off. I waited for her nervously and quietly. Deborah walked into the sparsely decorated room and sat across from me at our usual table. I couldn’t tell if she looked tired because of a long day at school or because of her sleepless nights on her couch at home. I told her I had been thinking about her question all week and I finally had an answer. As I looked into the face of that troubled yet innocent nine-year-old little girl, I said, “Just because you are weak, doesn’t make you less than a warrior. Warriors can be weak.” She might not have grasped the totality of that statement, but nevertheless, she looked relieved to know she could still be considered a warrior. Her weakness did not negate her strength.
If our truest selves are not always strong, why do we place such emphasis and privilege on constantly embodying strength? This quandary is a theological and human in nature, and one many black women and girls especially have to face throughout their lives.
We are human; therefore, we are strong and weak. Many of us, particularly black women and girls, have not been taught how to graciously give ourselves space to live with weakness. Weakness makes us acknowledge our inabilities and surrender to forces outside of ourselves for help. All of this contradicts our understandings of success and strength. We have difficulty seeing power in weakness.
Deborah’s struggles as a young black girl wrestling with a per­ceived mantle of strength reminded me of similar struggles I’d had my entire life. While I marveled at Deborah’s courage to ask her question, I later realized I’d had to garner my own courage to respond, to admit warriors can be weak and that I can be weak. I, a strong, independent, black woman, can also be vulnerable and fragile.
Black women have not had permission to be both. We need to be seen for all of who we are. I am proud of the strength in my DNA as a black woman and warrior, yet I am also grateful for the grace that gives me space to be weak when I need to be.
Deborah made me confront my own weaknesses. I still don’t know why God created us to have both weakness and strength. However, as 1 Corinthians suggests, God uses the weak things of the world to shine a light of truth on the strong. God chose to become incarnate in the weakness of Christ in order to present a powerful gospel of truth to the world. Weakness was the chosen one. Therefore, do not discount weakness. God resides with us in both our strength and our weakness; neither limits God.











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