But What if Nobody Comes?
Today I'm delighted to welcome author Michael Robert Dyet to my blog. Michael is a marketing professional with over 30 years’ experience in marketing and communications including trade show salesmanship, and he's kindly offered to share some information for authors on how to be successfully visible. These are lessons I certainly need to learn... especially the "But what if nobody comes?" one. So, if you've ever considered the need for a public appearance, read on!
Making the Most of Your Public
Appearances:
The Performance Factor
By Michael Robert Dyet
Marketing Professional and
Author of Hunting Muskie: Rites
of Passage –
Stories by Michael Robert Dyet
Getting the word out about your book and generating sales requires that you
are visible. Book reviews, social media posts and media coverage are all part
of the equation. But nothing can substitute for readings at libraries or
appearances at bookstores and art salons.
Some authors have the good fortune to be performers by nature and are
comfortable with appearing in public. Others are introverts who get the jitters
when faced with the prospect of doing a reading. Knowing how to prepare and how
to take control in these environments can help in overcoming stage fright. Even
authors experienced in this area can improve with the right tips.
But What If Nobody Comes?
One of the biggest fears authors face is: What happens if nobody comes?
Normally, the host organization or venue will promote your appearance via their
communication channels. But unless you are a recognizable name, their efforts
alone will not assure you of bums in seats.
You will need to announce the event on your social media sites, including a
Facebook event invitation, a week or two ahead. It is also advisable to develop
an e-mail contact list and announce your appearances to these contacts. Note:
If you are in Canada, be sure you have express consent to communicate with all
the contacts on your e-mail list to ensure you comply with Canada’s Anti-Spam Legislation
(CASL).
MailChimp is a good option for a relatively simply program to
execute your e-mail announcements. Trust me – if a technology-challenged Baby
Boomer like me can figure it out, you certainly can!
And, of course, talk up the appearance among your friends and coworkers.
Nothing beats word of mouth advertising.
Craft Your Elevator Speech
When you are interacting with potential buyers in public, you have a very
small window within which to capture his or her attention. You need to be able
to quickly convey what your book is about and why it is worth purchasing. The
secret to success here is to craft an elevator speech.
An elevator speech is a clear, brief statement of what your book is
about. It should be 30 seconds or less in duration or roughly the time it takes
to ride in an elevator from the ground to the top floor of a building. Here is
my elevator speech for my latest work Hunting Muskie: Rites of Passage –
Stories by Michael Robert Dyet.
The stories in Hunting Muskie are about the search
to find our way back home after the unexpected storms of life knock us off
course. Each story reflects that deep need to return to where we feel at peace.
The journey back becomes a rite of passage.
The title story, Hunting Muskie, sets the tone –
the hunt to find and subdue an unseen foe. The opening novella-length piece, Slipstream,
ties together the connecting threads: the powerful forces that derail us, how
we are driven to search for answers, and the harsh truth that redemption often
comes at a price. The stories that follow elaborate on that that theme.
Arming myself with this elevator speech, which I know by heart, gives me
confidence when I appear in public.
The Big Day: Prepare for Success
If you remember only one thing from this article, let it be this fact:
Every appearance you make in connection with your book is in fact a
performance. How your audience perceives you and rates your performance will
form preconceptions of your book that are hard to undo if things go wrong.
The day before your appearance is critical to preparing yourself mentally.
If possible, schedule it to be a quiet day. Audiences will know if you are
stressed or running on empty at your appearance. Rehearse your elevator speech
and/or the piece you will be reading so you are intimate with both.
Insider Tip:
Never change your mind at the last minute on what you are going to read
or talk about. I did that once – a lesson learned the hard way.
Leave extra travel time on the big day in case you are delayed along the
way. Arriving late leaves a bad impression with the host, and any guests who
showed up on time, and puts you in a stressed state of mind which impacts your
ability to perform.
On Stage: Let the Performance Begin
Whatever the nature of your public appearance, consider yourself to be on
stage from the moment the event begins. You want to create a positive
impression and that begins the moment you are first seen.
Let us assume for a moment that it is a bookstore appearance or a book fair
in which you are participating. The rules of trade show salesmanship apply. You
have likely been at trade shows and observed booth staff sitting on a chair
looking disinterested, talking on their mobile phone or with their faced buried
in their digital device. The first and lasting impression:
Why would I be interested in engaging with you if you are not interested in
engaging with me?
Let people know you want to engage with them. Stand in front of your booth
or table and be active in greeting approaching guests.
You will need to arm yourself with an icebreaker question to attract
people’s attention. It can be quite simple. For example, at my recent
Chapters-Indigo appearance, I simply asked: Are you a fiction reader? It
served the purpose of breaking the ice and qualifying the person at the same
time.
The Four Personality Types
You will need to read body language as people approach your table or booth.
I have identified four personality types each of which requires a specific
tactic.
Leave Me Alon-ers: Body language: a scowling
expression, shoulders hunched and moving fast. Their message is: I am here
for a specific purpose and it does not include you. Let these people be on
their way. Save your energy for better prospects.
Please Not Me-ers: Body language: fearful
expression, eyes averted and often angling away from you. Their message is: Please
do not try to sell my anything. If you can make eye contact with them,
simply smile and wish them good morning or good afternoon. If they seem to
respond, drop your icebreaker question. If they wince and turn away, let them
go.
I Could Be Convinced: Body language: pleasant
expression, unhurried demeanour, they are where they want to be. Their message:
I could be convinced to be interested in you if you make the overture.
Establish eye contact, smile, greet them warmly and drop your icebreaker
question.
Many in this category will engage with you and be genuinely interested. A
few may politely beg off because they have other priorities for the day –
keeping an eye on their wandering children or meeting someone. Offer them your
author business card to plant a seed
Insider Tip: Be aware that some of these people
may come back later. In my recent Chapters-Indigo appearance, one young couple
walked out the door and came back in a few moments later. They had decided they
wanted to support me and buy my book!
Its’ So Cool That You’re Here!: Body language:
similar to the “I could be convinced” group, but will often initiate eye
contact. These are your best prospects. They are intrigued by the fact that you
are there. Greet them warmly, use your icebreaker question and be prepared to
give your elevator speech. Very often you will make a sale with this group. If
not, thank them and offer your author business card.
Author Readings: The Holy Grail
Your best opportunity to sell copies of your book is often at prearranged
author readings. The people that show up are predisposed to buy. But you need
to make a good impression to close the deal.
Select excerpts for your readings that have drama (or humour where
applicable) and read well in a spoken voice. Dialogue works well, particularly
if you are able to give each character a distinct voice.
Insider Tip: Your favourite excerpt or story
may be engaging to read but does not always translate well to the spoken voice.
Be objective in making your selection.
Rehearse your reading a few days in advance so you can plan how you will
act out the piece and to get the timing down. If you are told you have twenty
minutes, stick to it. You will not get invited back to read again if you spill
over into someone else’s designated time.
Prepare a short introduction for each piece you will be reading to set the
context. Two or three minutes should suffice. Avoid the trap of expounding too
much on how you came to write the story. It may be interesting to you but less
so to the audience.
Debrief After the Fact
When you arrive home from the event, take a half hour to do a debrief on
how things went and identify areas for improvement.
Did your icebreaker question work? Did your elevator speech work? If not,
rework them based on the experience.
Did the excerpt you selected to read go over well? Was it the right piece
for the audience?
Did your performance go well? How can you improve it? What can you
learn from other authors who were at the event?
Was the host pleased? You always want to keep the door open to be invited
back.
And finally, how many books were you able to sell? If the group applauded
your reading but no one stepped up to buy, they are only tire-kickers. You
probably will not want to go back to that venue.
You Never Have a Second Chance
In summary, remember that your appearance is in fact a performance.
Do the upfront work – develop your icebreaker question and your elevator speech
– to prepare yourself. Learn to read body language and what it conveys. Think
hard about the excerpts you choose to read. Kick into performance mode when you
step on stage. And finally, de-brief yourself after each appearance.
Public appearances can be nerve wracking. But presenting ourselves well is
a necessary component of success as an author. The old adage is true: You
never have a second chance to make a first impression. Preparing properly
and following a few best practices go a long ways toward make the process easier.
Michael Robert Dyet is the author of Hunting Muskie, Rites of Passage – Stories by Michael Robert Dyet. Available Online from Amazon, Chapters Indigo or Barnes & Noble. His
debut work Until the Deep Water Stills – An
Internet-enhanced Novel was a double
winner in the Reader Views Literary Awards 2009.
Michael is also a marketing professional with over 30
years’ experience in marketing and communications including trade show
salesmanship.
Visit Michael’s website at www.mdyetmetaphor.com
and his blog Metaphors of Life Journal at
Title: HUNTING MUSKIE: RITES OF PASSAGE – STORIES BY MICHAEL ROBERT DYET
Author: Michael Robert Dyet
Publisher: Blue Denim Press
Pages: 240
Genre: Literary Fiction/Short Story Collection
Author: Michael Robert Dyet
Publisher: Blue Denim Press
Pages: 240
Genre: Literary Fiction/Short Story Collection
Life becomes a search to find our way back home after unexpected
storms knock us off course. This collection of 16 stories reflects that
deep urge to return to where we feel at peace. The journey back becomes a
rite of passage.
The title story, “Hunting Muskie”, sets the tone – the hunt to find and subdue an unseen foe. Each of the other stories elaborates on this theme.
Hunter is haunted by the mistake that defined his life. A chance encounter sets Edward on a search for answers. An act of bullying committed decades ago brings a day of reckoning for Quentin. Will must pay the ransom of conscience. A shocking event causes Laurel to fall victim to a temptation she cannot rationalize. Huck shuts out the loss he cannot face until he can deny it no longer. Malcolm seeks atonement for a desperate act committed in the name of love.
The longer piece, Slipstream, ties together the connecting threads: the powerful forces that derail us, how we are driven to search for answers and the harsh truth that redemption often comes at a price.
The title story, “Hunting Muskie”, sets the tone – the hunt to find and subdue an unseen foe. Each of the other stories elaborates on this theme.
Hunter is haunted by the mistake that defined his life. A chance encounter sets Edward on a search for answers. An act of bullying committed decades ago brings a day of reckoning for Quentin. Will must pay the ransom of conscience. A shocking event causes Laurel to fall victim to a temptation she cannot rationalize. Huck shuts out the loss he cannot face until he can deny it no longer. Malcolm seeks atonement for a desperate act committed in the name of love.
The longer piece, Slipstream, ties together the connecting threads: the powerful forces that derail us, how we are driven to search for answers and the harsh truth that redemption often comes at a price.
Excerpt from the title story “Hunting
Muskie”
“Go big or go home,” Norman declared, as he rigged
his eight inch Lil Ernie Deep Diver.
“You think it’s still
out there?”
“We’ll see.”
Norman had hooked
into a huge muskie in exactly this spot a few summers earlier. He had battled
it for ten minutes before it spat the lure and escaped.
Tom watched as Norman
cast his Lil Ernie far out along the rock ridge that ran below the surface. He
cast his own line on the other side of the boat as the look in Arianna’s eyes
flashed in his mind again.
“I’ve got cancer.”
Norman made the
announcement as he cast his line a second time.
“What?!”
“Kidney cancer. Renal
Cell Carcinoma, if you want to know the official name for it.”
“My God, Dad.” Tom
let his line go limp in the water. “When did you find out?”
“Does that really
matter?”
“Well ... they can
operate, right? You can live with one kidney. Lots of people do.”
“It’s already
metastasized. It’s in both kidneys.”
“Damn. When do you
start treatments? You’re going to need help. I could take a leave of absence.”
“Chemotherapy? I’ll
tell you the same thing I told the Oncologist. I’ll be damned if I’m going to
spend what time I have left feeling like hell warmed over.”
“But you can’t just
give up. You’ve gotta fight it.”
Norman cast again.
“The sixth island
from the head of the lake. An oval island, remarkable for its evergreens.”
“Yeah, I know.
Catherine Par Traill describing Black Island in one of her stories. I remember
everything you taught us. Are we going to talk about this or not?”
“Not.”
“Then why even tell
me?”
“Muskie take their
prey head first. One gulp and that’s all she wrote.”
“So we’re talking
about muskie behaviour now?”
“At my age, Thomas,
cancer is like a muskie. Once it has got its teeth into you, you’re not getting
away. Why would I even want to? Your mother is gone. Benjamin is gone. You live
2,000 thousand miles away. And I’m too old to keep coming up here. I may be
stubborn. But I know when it’s time to bow out gracefully.”
A wave of guilt
assaulted Tom. He had become too absorbed in his own life, and its fraying
edges, to see that his father’s life was unraveling to the end of its spool.
“I’m sorry, Dad. I
didn’t know it was so hard for you.”
“I’m not complaining.
If one of us had to go early, I’m glad it was your mother who went on ahead. I
would not have wanted her to be the one left behind. But Benjamin... A father
should not outlive his son. It just isn’t right.”
“Even still, I think
you should reconsider. There are–”
“Whoa!”
Norman reefed back
hard on his pole. It bent like a bow as line went screaming off the reel.
“Muskie?”
“Bet my life on it.
Nothing else runs that fast. There’s the head shake. Get your line in. We’re in
for a battle.”
“Do you think?” Tom
asked, reeling in as fast as he could.
“We’ll know soon
enough.”
Norman cranked hard
on his reel to make up ground. The muskie started another run, dead straight
for thirty feet. It broke the surface, erasing all doubt, in a majestic,
gravity-defying leap.
“My God, it’s huge! A
four footer, maybe.”
“Oh, you beautiful
thing! I’ll have you in this boat if it’s the last thing I do in this life.”
Norman glanced at Tom
with a grin on his face even as he winced at the effort.
“I’m glad you’re here
to see this, Thomas. This is how I want you to remember me. Not lying in a bed
waiting to die. Out here hunting muskie.”
Tom saw his father’s
life, and his own, in a new light. Muskie were the stuff of legend—the fish of
ten thousand casts. You could go your whole life without hooking one. But when
you did, and the hook was set deep, a muskie would always claim the dignity of
fighting to the end.
“Give her hell, Dad.
She won the first battle but this one is all yours.”
Folle Avoine. Steeped
in history, witness to the fall of one culture and the rise of another, too
wild to be bridged, too maternal to give up her dead. As good a place as any to
bow out gracefully, Tom decided, and, for that matter, to start anew.
Watch the Trailer!
Michael Robert Dyet is the Metaphor Guy.
Novelist, short story writer, closet philosopher, chronicler of life’s
mysteries – all through the lens of metaphor. He is the author of Hunting
Muskie: Rites of Passage – Stories by Michael Robert Dyet, Blue Denim
Press, October 2017.
Michael is also the author of Until The
Deep Water Stills: An Internet-Enhanced Novel – traditional print novel
(self-published) with a unique and ground-breaking online companion featuring
text, imagery and audio recordings. This novel was a double winner in the
Reader Views Literary Awards 2009. Michael posts weekly in his blog: Metaphors
of Life Journal aka Things That Make Me Go Hmmm
E-mail: michael@mdyetmetaphor.com
Metaphors of Life Journal Blog: www.mdyetmetaphor.com/blog2
Novel Online Companion: www.mdyetmetaphor.com/blog
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