Murder? For Hire?
I've read several of Steve O'Brien's novels already and thoroughly enjoyed them (Elijah's Coin, Bullet Work, Redemption Day), so I was delighted to hear he has a new novel just out--Dead Money--and I'm really looking forward to reading it. Meanwhile I'm even more delighted to have the author visiting my blog today, so read on to learn more about murder, and murderers at the Ritz... You're in for a treat.
Welcome Steve O'Brien.
Welcome Steve O'Brien.
Imagine you are working
in the lobby bar of the Ritz Carlton. Two fashionably dressed men share a table
and a silver canister of salted nuts. Balancing the tray, you approach to
deliver their drinks. The conversation you overhear goes like this:
“I need her to die. And die quickly,” the older man
says.
“What you propose will work. But--” The younger one
pauses thoughtfully. He leans forward and takes his glass of Pinot Noir from
you. “The time frame is all wrong and it will be an agonizing death. Not
suitable for your circumstance.”
You nearly throw the scotch rocks on the other man as you
fumble to set it down.
“What else can I do?” The elder one asks. “Is there a
drug I can slip her? I don’t want it noisy, and it has to appear to be a
natural death—at least initially. Until the autopsy.”
“This whole thing is blown at the autopsy. No coroner
could miss this.”
“That’s okay. I just need it to appear like a natural
death until autopsy.”
This situation really happened. I was the one asking
how to kill someone. My friend, Dr. G, was kind enough to meet me for drinks
one afternoon and give me pointers on effectively ending human lives.
The horrified
expression on the waitress’ face gave her away. I was able to say “don’t worry.
I’m an author and I’m trying to figure out how to kill one of my characters.”
The waitress looked at me like I was a purple albatross, mumbled something and
stumbled away. I’m not really sure if she called the police or not.
Writers
need experts.
No
author should attempt to spin a gripping tale without having a group of subject
matter experts. I use experts for police protocol, criminal jurisdictions, medical
procedures, pharmacology, anatomy, and any topic where I have a need for deeper
knowledge.
SME’s
not only give my stories depth and credibility, they make them better. I rarely
have a conversation with an expert that does not change a subplot or alter a
character profile. Everyone wants to tell a story and everyone has an
imagination. Aside from the added factual accuracy, experts, I find, are more
than willing to get involved in the creative process—for free. Okay, maybe for
the price of a glass of wine. I’ve never had one turn me down and never had one
fail to raise a critical issue I may have overlooked.
Romantic
notions of authors scribbling out a novel in a dimly lit den tucked away in a
reclusive setting might apply to some writers. Not to me. I talk through my
story outlines and specifics with my SME’s. I find this process even more
valuable than talking with other writers or beta readers. Maybe that’s just me.
I owe a huge
debt of gratitude to experts I have collaborated with over the years in
producing works of fiction--even if that includes enjoying cocktails and
dreaming up ways to kill characters.
About
the Author
Steve O'Brien is the author of four novels: Elijah's Coin, Bullet Work,
Redemption Day, and Dead Money. Elijah's Coin has been added to the
reading curriculum in multiple secondary schools throughout the US and
has been incorporated in a university ethics course. The e-book version
of Redemption Day was an Amazon.com Bestseller.
Steve is a graduate of the University of Nebraska and George Washington
University Law School. He lives in Washington, DC.
Comments
Thanks for hosting me on you blog. Love your site.
Steve O'Brien