Prefering to walk when the world wants to run. Meet author Digonta Bordoloi
Today I'm delighted to welcome author Digonta Bordoloi to my blog. His novel Slow is the story of a boy who preferred to walk, when the world around him was gearing up to run.
About Slow:
Baba is born in a remote corner, sheltered from modern development. His father’s job takes the family from town to town, and with each move, Baba comes to terms with his new life. He spends an idyllic childhood doing things at his own pace, bending the rules whenever he can. And then the unthinkable happens...
Intrigued? Then read on and find out more about the book and the author. Over to you Digonta...
About Slow:
Baba is born in a remote corner, sheltered from modern development. His father’s job takes the family from town to town, and with each move, Baba comes to terms with his new life. He spends an idyllic childhood doing things at his own pace, bending the rules whenever he can. And then the unthinkable happens...
Intrigued? Then read on and find out more about the book and the author. Over to you Digonta...
Sheila, thank you so very much for inviting me to
your blog! Where do I start...hmm...
The concept for Slow...
came to me during a pause in life. I had been in the corporate world for fifteen
years – most of my working life. During that time I thought my job was the most
important thing, only occasionally taking a vacation to attend to other things.
When the recession hit I was living and working in Uganda. My employer decided
to cut costs, and for the first time in my adult life I had time on my hands.
Quite unexpectedly I found that the seven or so months
I was out of a job turned out to be a wonderful experience. My mind was really
set free, not stuck to a routine. It was during this time that I started
writing Slow... https://www.facebook.com/SlowENovel
Extract from Slow...“...The streams from the teak
leaves fell onto the fern leaves of krishnasuras, which took what they needed
and sent the excess back into droplets. On the ground, drips gathered in tufts
of taro leaves, the runoff forming rivulets. The whole scene was a relay race,
welcoming water from the skies to the thirsty plants and ground.
Absorbed in the scene, Neloy
stepped into the rain and let the drops penetrate his skin. He looked up at the
sky and let everything it had pour down on him. Slowly, slowly, it felt as if
the rain was washing all the accumulated stress out of him...”
For the next three years I wrote off and on, between
fulltime work and the odd pause break (that’s me writing during a barefoot
month in a fisherman’s hut on Zanzibar). After receiving a few positive
feedbacks from experts, family and friends, I revised the entire novel for the
next year and a half. It was also a tremendous help that my wife, Susie, stood
by me and also did a thorough job editing Slow... and polishing up!
Extract from Slow...
Chapter 6:“...On the road below our house the mountain bulged out a bit
and created a blind curve. Because of this sharp bend the road had been widened
to make space so turning vehicles didn’t bang into oncoming traffic. That
extra-wide curve was our bonfire zone. After dark there were hardly any cars
that braved the hills and passed on that or on any other road in town. Only
ghosts in grandparents’ stories roamed the chilly streets of Kohima after 7pm.
So, in order to stave off the chill, and maybe to keep the ghosts at bay too,
we had a plan. The twigs and branches that we collected during the afternoon
were there waiting for us at the curve. A little downhill was a big pile of
bricks that the surrounding vegetation had claimed back. Within this old brick
stack, on the side facing the gorge, behind the ninth brick from the left,
sixth row from the top, was a hidden chamber that held a match box and a bottle
of kerosene; a precious supply that we took turns to replenish.
To compensate for our twig
gathering and hard work at lighting the fire, Riku and the other older boys who
arrived late after their homework, would bring along some goodies. These
goodies included anything edible that was not noticeably important in the
kitchen- all manner of things from potatoes to pig ears.”
Thank you Digonta. I'm certainly looking forward to reading Slow.
Chapter 17:
“...On the small first floor veranda the
grand wooden chair looked cramped. As Baba floated over he also realized that
the chair was not empty. On its seat was a thick stack of newspapers and
magazines. Instead of Bardalaye bottoms, Koka’s chair had now been assigned to
carry stories of the burdens of the world. As Baba looked on, he heard the
sliding of a door and became aware of a shuffling. With hesitant steps a man
walked along the veranda pulling behind him a chair made of plastic, faux
leather, foam, and ugliness. Staring straight ahead with fixed concentration
the man positioned the unsightly contraption right next to Koka’s chair. Baba
stared at the new seat, further cramping and cornering the beautiful wooden
chair. The man, a mask of age covering his face, lowered himself into it. As
Baba’s attention was drawn to his face, a bolt of recognition hit him; that man
was Dauta... his father, Mukund.”
To read more, find
Slow...at:
Smashwords: https://www.smashwords.com/books/view/337504Thank you Digonta. I'm certainly looking forward to reading Slow.
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