So, Julie, thank you for joining me here, and please can you tell us:
When writing Games of Make-Believe, why did you decide to write in multiple styles?
To use multiple styles, as I did in Games of Make-Believe, is not new, but readers seldom encounter such a technique. Some readers, as Sheila has, recognize and question the use of multiple styles, while other readers either don’t notice it or instinctively reject it. I agree with those who criticize multiple styles that the technique challenges strong character development and tidy endings. I knew Games of Make-Believe would encounter such responses when I decided to use several styles. Here’s why I did it, anyway.
For me, the decision was focused on Games of Make-Believe being the story of a dysfunctional family with several characters agreeing to pretend they are the perfect family, until it becomes impossible to continue. I wanted subtle family dynamics, rather than the easier overt violence usually imbedded in family stories, and the fairytale feature was there from the start. To describe the family, I needed to show in what specific time with what specific pressures were family members impacted.
These basics meant don’t use a single point of view because a family is not one person. It meant don’t use a third person narrator with multiple points of view throughout. The voice of an omniscient therapist gave me the willies. It meant no series of first person chapters because the real outside elements would be distorted.
So, I decided on snapshots. You might see my design differently if you consider Games of Make-Believe a series of short stories with recurring characters told in several styles. Think of A Visit from the Goon Squad by Jennifer Eagan.
This decision opened the possibility of varied points of view, as well as several persons, voices, and tenses. I didn’t make separate style decisions arbitrarily. I thought about each part, sometimes for months, and I often tried other styles before I knew I had the best way to tell that portion of the book. You might notice I even used a newspaper to show how Hal really received his honor. You can bet he’d tell a very different story. Renny, as any committed artist, is always in present tense. The fairytale portions are always in third person omniscient because that’s folk tale style. There are even two groups that speak as one in first person plural.
Open up, dear writer. Give yourself room to do more. To write this way is horrendously challenging, but it offers you vast opportunities for artistic expression. Especially when no single traditional style would work.
Thank you Julie. I love your reason for Renny to be present tense! Very cool. And I remember noticing the third person omniscient fairytale portions. It all works really well, and it's fascinating to see how you crafted all the pieces and characters together. Yes indeed, a family is not one person. And yes indeed, we should challenge ourselves! Thank you Julie for challenging us with this explanation, and for your novel.
My thanks to the Cadence group for putting me in touch with this author.